Absynth 5 multiple midi tracks Activator#

This is useful when recording acoustic instruments which are monitored вЂњthrough the air,вЂњ when using an external mixing console for monitoring or when using an audio hardware interface with a вЂњdirect monitoringвЂњ option that bypasses the computer so as to avoid latency. Monitoring can be turned off altogether by choosing the Off option.

Absynth 5 multiple midi tracks Activator#

An вЂњInвЂњ monitoring setting can be easily recognized even when the In/Out section is hidden by the blue color of the trackвЂ™s Activator switch. With this setting, output from the clips is suppressed. This setting effectively turns the track into what is called an вЂњAuxвЂњ on some systems: the track is not used for recording but for bringing in a signal from elsewhere. To permanently monitor the trackвЂ™s input, regardless of whether the track is armed or clips are playing, choose In.The default Auto-monitoring setting does the right thing for most straightforward recording applications: Monitoring is on when the track is armed (record-enabled) ( see Chapter 17), but monitoring is inhibited as long as the track is playing clips.The In/Out section offers, for every audio track and MIDI track, a Monitor radio button with the following three options: If the trackвЂ™s output is set to вЂњMaster,вЂњ you can hear the guitar signal, processed by whatever effects are used (and delayed by whatever latency the audio hardware interface incurs), over your speakers. Monitoring then means that the signal from your live guitar playing actually reaches the trackвЂ™s output, via the trackвЂ™s device chain. Suppose you have set up an audio track to receive its input signal from a guitar. вЂњMonitoring,вЂњ in the context of Live, means passing a trackвЂ™s input signal on to the trackвЂ™s output. In our вЂњExt.вЂњ example, these would be the individual audio/MIDI inputs and outputs. If this signal type offers sub-selections or channels, they are available from the lower chooser, or the Input/Output Channel chooser. Within a chooser pair, the upper chooser selects the signal category (вЂњExt.,вЂњ for instance, for external connections via an audio or MIDI interface), and is called the Input/Output Type chooser. Remember that instruments convert MIDI to audio ( see 4.8). All tracks have audio outputs, except for MIDI tracks without instruments. The lower chooser pair (вЂњAudio/MIDI ToвЂњ) selects the trackвЂ™s output.The Monitor radio button selects the monitor mode: the conditions under which the trackвЂ™s input is heard through the track.

Return tracks receive their input from the respective sends ( see 16.4). Audio tracks have an audio input, and MIDI tracks have a MIDI input.

The upper chooser pair (вЂњAudio/MIDI FromвЂњ) selects the trackвЂ™s input.

The MixerвЂ™s In/Out Section and Mixer Section Selectors.ДЇor every track that can play clips, the In/Out section has the same layout: Toggle its visibility using the I/O Mixer Section selector, or via the View menuвЂ™s In/Out option.

The In/Out section can be independently shown or hidden from the Session and Arrangement Views. The mixerвЂ™s In/Out section is LiveвЂ™s вЂњpatchbay.вЂњ Most routing happens in the mixerвЂ™s track In/Out section, which offers, for every track, choosers to select a signal source and destination. In the context of Live, вЂњroutingвЂњ is the setup of the tracksвЂ™ signal sources and destinations (i.e., their inputs and outputs).